Tuesday, July 3, 2012

Rifts split Syria’s opposition at Cairo meeting

Syrian opposition groups struggled to form a united leadership Tuesday at a meeting in Cairo that exposed the vast disagreements that have prevented them from effectively leading the uprising against President Bashar Assad.

The conference ended late Tuesday with an agreement on two documents, both of them vague. One provides a general outline to guide the opposition through a transitional period, while the other lays out the fundamental principles envisioned for a post-Assad Syria.

The delegates agreed in general terms on support for the Free Syrian Army, the dissolution of the ruling Baath Party and the exclusion of Assad or other senior regime figures from a place in the transition.
But they failed to reach an agreement on forming a unified body to represent the opposition.

Arguments were rife among the roughly 250 conference participants over key questions, including whether to ask for foreign military intervention to halt the violence and what role religion would play in a post-Assad Syria.

In other developments Tuesday, Assad told a Turkish newspaper that he regretted that Syria shot down a Turkish warplane last month, and a U.S.-based human rights group said the Damascus regime was running a network of torture centers across the country, citing victims’ accounts of beatings, sexual assaults and electric shocks.

Opposition group members interviewed at the Cairo conference by The Associated Press brought into sharp relief their vast disagreements on issues not addressed in the draft charter, suggesting it papered over the divisions that have prevented them from presenting a united front to the international community.

"It’s very dangerous at this point," said Abdel-Aziz al-Khayyar, who spent 14 years in Syrian prisons and is now part of the Syrian National Coordination Body. "If we fail to unify as the opposition, it is the greatest gift to the regime."


Wednesday, June 13, 2012

Tunisia's Leader: Activist, Exile And Now President

Tunisia's president is a former doctor and human-rights activist who was jailed under the previous regime. In an interview with NPR Morning Edition host Steve Inskeep, he says expectations are high and jobs are scarce following last year's Arab Spring revolution.

NPR Morning Edition host Steve Inskeep is taking a Revolutionary Road Trip across North Africa to see how the countries that staged revolutions last year are remaking themselves as they write new social rules, rebuild their economies and establish new political systems. Steve and his team are traveling some 2,000 miles from Tunisia's ancient city of Carthage, across the deserts of Libya and on to Egypt's megacity of Cairo. In Tunisia, he sat down with the country's new president, Moncef Marzouki.

Decades ago, the founder of modern Tunisia built a palace for himself. Habib Bourguiba managed to peacefully win his country's independence from France in 1956, and then proceeded to monopolize political power for three decades, a fact represented by his palace.

The palace is a complex of buildings on a spectacular site, facing the Mediterranean Sea and beside the ruins of ancient Carthage. Visitors arrive through iron gates into a courtyard vast enough to bring London's Buckingham Palace to mind.

From there they enter through a hall decorated with grand columns, and wait for the president in a special room with green stuffed furniture and a Romanesque mosaic on the wall.

At some point, Bourguiba had his portrait painted. Unlike so many leaders who have had themselves portrayed as solemnly gazing up and into the distance as if seeing the future, Bourguiba is smiling brilliantly. And he's also gazing up and into the distance as if seeing the future.

In 1987, one of Bourguiba's aides deposed him in a bloodless coup. Zine El Abidine Ben Ali took charge of the palace, and the portrait of the smiling Bourguiba disappeared.

Then, in early 2011, Ben Ali was ousted by protesters and took up exile in Saudi Arabia. The new occupants of the palace discovered the old portrait of Bourguiba and hung it up in the entrance hall. The smiling face greeted us as we walked in to interview Moncef Marzouki, the new president.

Marzouki seemed out of place when he arrived to sit in his predecessor's spectacularly overstuffed chair.
Rather than being a strongman, he's a soft-spoken doctor and human-rights activist who was jailed for several months by Ben Ali back in 1994. And the palace no longer seems to fit the job description of its current occupation.

The president of Tunisia no longer calls every shot. Marzouki was chosen by the elected members of a new constitutional assembly. And his current term, which began last December, is only supposed to last a year while the assembly writes a new constitution.

Yet he calls it a "dangerous year" because expectations are running high and jobs are scarce following the revolution. When we visited, Marzouki was wrestling with the assembly.

Preventing A New Dictatorship

We asked him how he was adjusting to his new job, whose parameters are still being defined.
"When you have been under dictatorship for over five decades your main problem is to prevent a new dictatorship," he said. "So now we are discussing about how to share power between the prime minister and the president so that no one can become dictator."

One example of this balancing act concerns the former prime minister of neighboring Libya, who fled to Tunisia as Moammar Gadhafi's regime was crumbling.

Tunisia's justice minister said the former Libyan official would be returned home for trial. But Marzouki said he would block the extradition.

"They came to me and said, 'Mr. President, it's the national interest of Tunisia to return this man back to Libya.' And my response is that Tunisia has interests, but also has honor," Marzouki said. "You want to make sure he gets a fair trial when he goes back to Libya — if he goes at all."

The Tunisian president said his position was informed by his earlier work.

"Before being president of Tunisia, I was a human-rights activist and I will never return a man that I'm quite sure that he could be subjected to torture, or the death penalty, and so forth, so I'm not going to return him," Marzouki said.

We asked if there would have ever been such a discussion under in Tunisia under Ben Ali.
"Of course not, and you know it," he said.

A Troubled Economy

We also asked the president about the economy, which has been struggling since the revolution and suffers from an unemployment rate of about 18 percent.

"It's our main problem. It's a huge challenge. And we do know that if we cannot succeed in tackling this issue — giving jobs to people — then we can have a revolution within the revolution," he said. "This is why we're working hard to attract investment. Because it's really a matter of death or life for democracy in Tunisia."
As a Mediterranean nation, Tunisia has been outward-looking and open to other countries, including those in Europe, whose tourists have long flocked to Tunisia's sunny beaches. But the revolution has hurt tourism and other industries, and the president called on the West to assist Tunisia and its troubled economy.

"We badly need the help of our friends in Europe, in the United States, because Tunisia is now a kind of lab — the whole Arab world is watching," he said. "This year, which is the most dangerous year because it's the year after the revolution, and the level of expectation is very, very high. And people are waiting for everything — for a miracle."

The new government, he said, faced great pressure to deliver.

"People are really expecting a rapid and massive solution to the problems," he said. "But what we are trying to do is to tell them that now for the first time they are free. For the first time they have no corrupt government. For the first time they have men and women working hard to resolve their problem and they don't have any other solution, [any] other choice, than to wait for the result of this policy." 


Tuesday, December 6, 2011

If you’re making noise, you’re making money

You’ve got to admire their tenacity. Whose tenacity? The long list of long-suffering bands, artists, and club owners attempting to create, recreate, and breathe some sort of life into a seemingly disinclined original music scene in Myrtle Beach. The latest club to tempt fate is the Sound Hole, a music venue/bar in downtown Myrtle Beach with a permanent P.A. system, a dedicated stage area, and a husband-and-wife team who work the bar, manage the business and love live, original rock ’n’ roll.

Owners Robert Rowell and his wife Shellie Rowell were both behind the bar during last week’s BBQ of Brutality, a five-band show that featured Nothing (Whiteville, N.C.), With Intent (Charleston), and Myrtle Beach acts Prowler, Circles In Autumn, and The Creepshow MoFo. “We have bands every Friday and Saturday,” said Robert Rowell. “We love anything rock ’n’ roll.”

The Sound Hole, which opened Oct. 29 at 1004 Chester Street, will be familiar to some locals who’ve visited in one of its past lives (the original Rainbow House, Two Dollar Bill’s, the Animal House, and others). The nearly 80-year-old house-turned bar/music venue oozes character, and dark rock ’n’ roll ambience. Outside the simple structure is white with blood-red trim – an ordinary looking home. Inside most of the walls are painted high-gloss black, fitting for the young crowd and bands (many in costume) at the BBQ of Brutality. With its metal motif retrofit, the bar felt like a freaky rock ’n’ roll haunted house, which I suspect was just what the Rowells were going for.

With a bit more than 30 days under its belt, the business is showing real potential, and if last week’s show was any indication, the Sound Hole has a shot at being a viable new home for young bands plying original material. “We’re slowly building,” said Shellie Rowell, a pretty woman whose face piercings, pink and black hair and tattoos helped her fit in with many of the patrons she was serving. If the anemic original music scene here in Myrtle Beach is terminal, as some have suggested, then the Rowells didn’t get the memo.

Plenty of adults mixed with the well-marked under-aged who roamed the multiple rooms (one with a pool table) and spacious open-air patio deck in back. “We’ve had a real good relationship with the police,” said Robert Rowell, who remembers things got a little dicey when the bar was The Animal House, a late-night venue in which he worked. “It [The Animal House] had a bit of a reputation,” he said. “So we went to the City of Myrtle Beach Police and said ‘We are not them. We are completely new.’ We invited them in, and have been open about everything. We’ve had a really good working relationship, and haven’t given them any reason to [worry].”

Friday’s music line-up at the Sound Hole was undetermined as of press time, but Saturday will feature Plus One, and The Izm, fresh off its battle of the bands win at Butter’s Pub, which no longer hosts live rock shows. Just as bands had found a new home in Socastee, after the closing of the Socastee Music Station, Butter’s, a sports bar/restaurant (and now former live music venue), has become the latest to pull rock ’n’ roll from its offerings. Butter’s canceled shows and removed its stage not long ago, without much comment. An employee stated last Monday, “One of the owners didn’t want [late-night music] anymore.” Another stated, “We’ll start up again with live music in the spring.” I guess we’ll see.

But the dream dies hard in Myrtle Beach.

Just before the Socastee Music Station pulled the plug on its live music, it hosted dozens of shows – some quite large – and even a fundraiser to put in a permanent “community” P.A. system, as it was called by the bands that played there. That P.A. is now at the Sound Hole, serving the bands and fans that helped purchase it.

“We got the P.A. system from The Music Station,” said Robert Rowell. “The majority of the P.A. is that same community system.” Guitarist/vocalist/songwriter Chris King, or Patrick Best (Prowler), usually run sound. In addition to the weekend multi-band shows, the Sound Hole and King host open jams on Tuesday and Thursday evenings. The venue also offers a variety of bar food items priced perfectly for younger patrons without deep pockets. French Fries for $1, burgers around $5, Chicken Fingers for $3.50 and a few creative, upscale offerings as well.

Open every day except Sunday, the Sound Hole has palpable energy and can get raucous. When the landlord, who lives next door, was approached by the Rowells, apologetic for a particularly loud evening, he commented, “If you’re making noise, you’re making money.”

Source http://www.thesunnews.com/2011/12/01/2526086/music-notes.html

If you’re making noise, you’re making money

You’ve got to admire their tenacity. Whose tenacity? The long list of long-suffering bands, artists, and club owners attempting to create, recreate, and breathe some sort of life into a seemingly disinclined original music scene in Myrtle Beach. The latest club to tempt fate is the Sound Hole, a music venue/bar in downtown Myrtle Beach with a permanent P.A. system, a dedicated stage area, and a husband-and-wife team who work the bar, manage the business and love live, original rock ’n’ roll.

Owners Robert Rowell and his wife Shellie Rowell were both behind the bar during last week’s BBQ of Brutality, a five-band show that featured Nothing (Whiteville, N.C.), With Intent (Charleston), and Myrtle Beach acts Prowler, Circles In Autumn, and The Creepshow MoFo. “We have bands every Friday and Saturday,” said Robert Rowell. “We love anything rock ’n’ roll.”

The Sound Hole, which opened Oct. 29 at 1004 Chester Street, will be familiar to some locals who’ve visited in one of its past lives (the original Rainbow House, Two Dollar Bill’s, the Animal House, and others). The nearly 80-year-old house-turned bar/music venue oozes character, and dark rock ’n’ roll ambience. Outside the simple structure is white with blood-red trim – an ordinary looking home. Inside most of the walls are painted high-gloss black, fitting for the young crowd and bands (many in costume) at the BBQ of Brutality. With its metal motif retrofit, the bar felt like a freaky rock ’n’ roll haunted house, which I suspect was just what the Rowells were going for.

With a bit more than 30 days under its belt, the business is showing real potential, and if last week’s show was any indication, the Sound Hole has a shot at being a viable new home for young bands plying original material. “We’re slowly building,” said Shellie Rowell, a pretty woman whose face piercings, pink and black hair and tattoos helped her fit in with many of the patrons she was serving. If the anemic original music scene here in Myrtle Beach is terminal, as some have suggested, then the Rowells didn’t get the memo.

Plenty of adults mixed with the well-marked under-aged who roamed the multiple rooms (one with a pool table) and spacious open-air patio deck in back. “We’ve had a real good relationship with the police,” said Robert Rowell, who remembers things got a little dicey when the bar was The Animal House, a late-night venue in which he worked. “It [The Animal House] had a bit of a reputation,” he said. “So we went to the City of Myrtle Beach Police and said ‘We are not them. We are completely new.’ We invited them in, and have been open about everything. We’ve had a really good working relationship, and haven’t given them any reason to [worry].”

Friday’s music line-up at the Sound Hole was undetermined as of press time, but Saturday will feature Plus One, and The Izm, fresh off its battle of the bands win at Butter’s Pub, which no longer hosts live rock shows. Just as bands had found a new home in Socastee, after the closing of the Socastee Music Station, Butter’s, a sports bar/restaurant (and now former live music venue), has become the latest to pull rock ’n’ roll from its offerings. Butter’s canceled shows and removed its stage not long ago, without much comment. An employee stated last Monday, “One of the owners didn’t want [late-night music] anymore.” Another stated, “We’ll start up again with live music in the spring.” I guess we’ll see.

But the dream dies hard in Myrtle Beach.

Just before the Socastee Music Station pulled the plug on its live music, it hosted dozens of shows – some quite large – and even a fundraiser to put in a permanent “community” P.A. system, as it was called by the bands that played there. That P.A. is now at the Sound Hole, serving the bands and fans that helped purchase it.

“We got the P.A. system from The Music Station,” said Robert Rowell. “The majority of the P.A. is that same community system.” Guitarist/vocalist/songwriter Chris King, or Patrick Best (Prowler), usually run sound. In addition to the weekend multi-band shows, the Sound Hole and King host open jams on Tuesday and Thursday evenings. The venue also offers a variety of bar food items priced perfectly for younger patrons without deep pockets. French Fries for $1, burgers around $5, Chicken Fingers for $3.50 and a few creative, upscale offerings as well.

Open every day except Sunday, the Sound Hole has palpable energy and can get raucous. When the landlord, who lives next door, was approached by the Rowells, apologetic for a particularly loud evening, he commented, “If you’re making noise, you’re making money.”

Source http://www.thesunnews.com/2011/12/01/2526086/music-notes.html

Tuesday, October 4, 2011

Last best show: Steely Dan at the Wang


So whaddya you think of last night’s version of “Kid Charlemagne” at the Wang? Pretty damn good, right? More on that later.

Before jumping into a guitar-centric analysis a few non-six-string notes:

Steely Dan’s horn section is absurdly good. Transport the four-piece back in time 40 years and they could be sitting in with Miles. Make it 75 years and the guys could swing with Basie. My favorite bit was Michael Leonhart’s fiery Latin trumpet solo on “Your Gold Teeth.”

Donald Fagen’s voice is better than ever. OK, not better, it’s thinner and flatter, but he was almost too good, too alive for his deep, dense, dark lyrics in the ’70s. Like Tom Waits or Randy Newman, the older he gets the more he relaxes into his Statler-and-Waldorf sardonic persona.

Keith Carlock is a monster drummer – like Neil Peart with a wicked Gene Krupa fetish. Jim Beard’s piano opening to “My Old School” was freaky ragtime with a pinch free jazz (nearly as face-melting as any of last night’s guitar solos).

Now the guitar:

Walter Becker is a great player. He always got out of the way for those ’70s session men but he can wail. On “Black Friday” his chunky rock tone recalled Skunks best stuff. Then Jon Herington took over and I forgot Becker was even there (sorry dude).

Herington is insane, just insane. On “Hey Nineteen” he was note-to-note perfect and dead right with the tone. Then on “Show Biz Kids,” he went off the map. As the song swelled to a knot of fern-bar funk, Herington’s tricky licks zigged and zagged across the melody. This guy can clearly do anything.

For the solo in “Boston Rag,” he managed to squash together Jim Hall’s post-bop and Al Di Meola’s heavy ’70s fusion. Then, on “Bodhisattva,” just cause he can, he spiked the Hall-meets-Di Meola vibe with some Dick Dale surf and Django Reinhardt swing. Insane I tell you!

Then with “Kid Charlemagne” he– Oh, just forget it. Enough of what I think.

Guitar solos? Fagen’s voice? Horns? Drums? Whaddya think?

Source http://www.bostonherald.com/blogs/entertainment/guestlisted/?p=973&srvc=home&position=recent

Friday, July 22, 2011

Michigan Movie Notes: 'Oz: The Great and Powerful' starts filming in Pontiac

Filming has started on "Oz: The Great and Powerful" at Raleigh Michigan Studios in Pontiac, the Disney prequel boasting stars James Franco, Mila Kunis and Michelle Williams.

Heavy interest in the movie is making the Web all a-twitter about the slightest "Oz" details. This week, a photo with an "Oz" logo tweeted by cast member Abigail Spencer was spreading online like magic.

Spencer, best known as the schoolteacher who had an affair with Don Draper on "Mad Men," also posted a photo of herself at the Detroit Zoo looking cool in a hat that she later messaged was bought in Santa Fe while she was filming "Cowboys & Aliens," the sci-fi/Western hybrid with Daniel Craig and Harrison Ford that opens July 29.

On Monday, she tweeted that "5 different Detroitonians in 5 minutes" had complimented her on her pants, which reminded her that the world premiere of "Cowboys & Aliens" was five days away. It's screening Saturday in San Diego at the annual Comic-Con event.

Did we mention Spencer's latest movie is "Cowboys & Aliens"?
Wyatt Russell goes 'AWOL'

The latest young actor to join the heat-wave hot cast of "AWOL" is the scion of Hollywood royalty.

Wyatt Russell, son of Goldie Hawn and Kurt Russell, will appear in the Vietnam-era movie, which is shooting in the Ann Arbor area and has the University of Michigan of those protest-laden times as a backdrop.

The film already has landed a number of rising actors, including Liam Hemsworth, Austin Stowell, Aimee Teegarden and Teresa Palmer.

The screenplay is by U-M professor Jim Burnstein and Garrett Schiff.

Russell also has a role in, you guessed it, "Cowboys & Aliens." His dad, Kurt, was in west Michigan last year to film the football-themed drama "Touchback."
Local director a new indie star

Rola Nashef is one of the 25 New Faces of Independent Film, an honor bestowed by Filmmaker magazine.

The local director is in post-production on "Detroit Unleaded," which is about a young Lebanese-American man who runs a gas station.

"Growing up I never saw people like me and my own experience in the movies," Nashef tells Filmmaker. "And I kept meeting these amazing characters who continue to inspire me. Our experience as Arab Americans makes for great storytelling. We need to be on a screen somewhere."
Glover joins 'Freaky Deaky' cast

"Freaky Deaky" just got a little freakier, in a good way.

The king of quirkiness, Crispin Glover, is joining the cast of the adaptation of Elmore Leonard's novel, according to Variety.

The project is filming in and around Detroit.

The eccentric actor is replacing William H. Macy, who was previously attached to the project.

Glover was in the Motor City in 2010 to show two of his experimental art films at the Burton Theater. His decades-long career includes memorable roles in "Back to the Future," "Charlie's Angels" and, most recently, "Hot Tub Time Machine," in which he played a one-armed bellman. And, of course, he nearly kicked David Letterman in the head during a famous 1987 interview.

USA Today once said that his most magnetic quality was perhaps "his true, unabashed freakishness." Freaky, how this all worked out.

Source http://www.freep.com/article/20110722/ENT01/107220329/Michigan-Movie-Notes-Oz-Great-Powerful-starts-filming-Pontiac

Wednesday, July 6, 2011

Tigers' rally falls short in 4-3 loss to Giants

Brennan Boesch made solid contact - and hit the ball to the worst possible place.

Shortstop Brandon Crawford caught Boesch's soft line drive near second base and quickly stepped on the bag to double off Brandon Inge, letting the San Francisco Giants hold on for a 4-3 win over the Detroit Tigers on Friday night. Detroit scored twice in the ninth and had the bases loaded with one out when the Giants escaped on the unassisted double play.

"That's just one of those freaky ones," Tigers manager Jim Leyland said. "For us, it was hit in exactly the wrong spot. For them, it was exactly the right spot."

Pablo Sandoval hit a tiebreaking double as part of a three-run top of the ninth for the Giants. San Francisco was coming off back-to-back losses to the Cubs - both in Chicago's last at-bat. The Giants nearly fell again.

Brian Wilson (6-1) won, but only after blowing a save for the second straight day. Wilson allowed Magglio Ordonez's RBI single in the eighth that tied it at 1.

After the Giants took the lead, Wilson started the ninth but had to be pulled with one out, the bases loaded and a run already in. Wilson slugged a cooler in the dugout with a bat after leaving the game.

"Give yourself 30 seconds to completely lose it, then come back and be a part of the team," Wilson said.

Jeremy Affeldt came on, and Detroit pulled within one when second baseman Emmanuel Burriss muffed a slow grounder for an error. Boesch was up next, and his liner probably would have scored the tying and winning runs if it had been a few feet higher.

"Great effort on our guys' part," Leyland said. "We just came up a little short."

It was Affeldt's third save of the season.

The Tigers dropped a half-game behind first-place Cleveland in the AL Central.

Madison Bumgarner allowed a run and five hits over 7 1-3 outstanding innings for San Francisco. He struck out nine and walked one.

Bumgarner departed following a walk by Inge. Sergio Romo came on and got the second out of the inning, but Javier Lopez then took the mound and allowed a single to pinch-hitter Boesch.

Wilson was next out of the bullpen, and Ordonez greeted him with a single to right.

It didn't stay tied for long. Chris Stewart led off the ninth with a double, and Aaron Rowand followed with a single, reaching base as part of his broken bat went flying over the third-base dugout.

One out later, Sandoval hit a ground-rule double to left-center to make it 2-1. The Giants added two more runs when Jose Valverde (2-3) and Brayan Villarreal issued bases-loaded walks.

Rowand had three hits.

Detroit's Brad Penny allowed a run and seven hits in seven innings. He struck out two and walked two.

The Giants threatened early, putting runners at first and third with nobody out in the first. Penny got out of the jam thanks to a fantastic play by left fielder Casper Wells. Sandoval lifted a foul ball toward the seats, and Wells not only caught it amid reaching fans - but he also threw home to catch Rowand, who had tagged up at third.

"That was an extraordinary play," Leyland said.

Sandoval made the most of his next big opportunity. With Rowand on second and two outs in the fifth, he sliced an 0-2 pitch to the gap in left-center to put the Giants ahead.

Bumgarner has been excellent since being knocked out in the first inning of a June 21 start against Minnesota. In his two outings since then, he's allowed two runs in 14 1-3 innings, with 20 strikeouts and two walks.

Detroit's Lester Oliveros made his major league debut in the eighth, striking out two and allowing a hit and a walk in an inning. Oliveros was called up from the minors to replace Al Alburquerque, who went on the disabled list with inflammation in his right arm.

NOTES: Detroit 2B Carlos Guillen (left knee) is transferring from Class A Lakeland to Triple-A Toledo as part of his rehabilitation assignment. ... San Francisco plans to start LHP Barry Zito on three days' rest Saturday, with RHP Ryan Vogelsong taking the mound Sunday. Zito and Vogelsong both pitched in a doubleheader Tuesday. ... Victor Martinez has been with the Tigers barely a half-season, and he's already impressed Leyland. Martinez has made the transition to designated hitter look easy. He entered Friday's game hitting .329. "I can't say enough about him," Leyland said. "He's one of the best teammates I've ever managed or been around."

Source http://seattletimes.nwsource.com/html/sports/2015487409_apbbotigers.html