Tuesday, December 6, 2011

If you’re making noise, you’re making money

You’ve got to admire their tenacity. Whose tenacity? The long list of long-suffering bands, artists, and club owners attempting to create, recreate, and breathe some sort of life into a seemingly disinclined original music scene in Myrtle Beach. The latest club to tempt fate is the Sound Hole, a music venue/bar in downtown Myrtle Beach with a permanent P.A. system, a dedicated stage area, and a husband-and-wife team who work the bar, manage the business and love live, original rock ’n’ roll.

Owners Robert Rowell and his wife Shellie Rowell were both behind the bar during last week’s BBQ of Brutality, a five-band show that featured Nothing (Whiteville, N.C.), With Intent (Charleston), and Myrtle Beach acts Prowler, Circles In Autumn, and The Creepshow MoFo. “We have bands every Friday and Saturday,” said Robert Rowell. “We love anything rock ’n’ roll.”

The Sound Hole, which opened Oct. 29 at 1004 Chester Street, will be familiar to some locals who’ve visited in one of its past lives (the original Rainbow House, Two Dollar Bill’s, the Animal House, and others). The nearly 80-year-old house-turned bar/music venue oozes character, and dark rock ’n’ roll ambience. Outside the simple structure is white with blood-red trim – an ordinary looking home. Inside most of the walls are painted high-gloss black, fitting for the young crowd and bands (many in costume) at the BBQ of Brutality. With its metal motif retrofit, the bar felt like a freaky rock ’n’ roll haunted house, which I suspect was just what the Rowells were going for.

With a bit more than 30 days under its belt, the business is showing real potential, and if last week’s show was any indication, the Sound Hole has a shot at being a viable new home for young bands plying original material. “We’re slowly building,” said Shellie Rowell, a pretty woman whose face piercings, pink and black hair and tattoos helped her fit in with many of the patrons she was serving. If the anemic original music scene here in Myrtle Beach is terminal, as some have suggested, then the Rowells didn’t get the memo.

Plenty of adults mixed with the well-marked under-aged who roamed the multiple rooms (one with a pool table) and spacious open-air patio deck in back. “We’ve had a real good relationship with the police,” said Robert Rowell, who remembers things got a little dicey when the bar was The Animal House, a late-night venue in which he worked. “It [The Animal House] had a bit of a reputation,” he said. “So we went to the City of Myrtle Beach Police and said ‘We are not them. We are completely new.’ We invited them in, and have been open about everything. We’ve had a really good working relationship, and haven’t given them any reason to [worry].”

Friday’s music line-up at the Sound Hole was undetermined as of press time, but Saturday will feature Plus One, and The Izm, fresh off its battle of the bands win at Butter’s Pub, which no longer hosts live rock shows. Just as bands had found a new home in Socastee, after the closing of the Socastee Music Station, Butter’s, a sports bar/restaurant (and now former live music venue), has become the latest to pull rock ’n’ roll from its offerings. Butter’s canceled shows and removed its stage not long ago, without much comment. An employee stated last Monday, “One of the owners didn’t want [late-night music] anymore.” Another stated, “We’ll start up again with live music in the spring.” I guess we’ll see.

But the dream dies hard in Myrtle Beach.

Just before the Socastee Music Station pulled the plug on its live music, it hosted dozens of shows – some quite large – and even a fundraiser to put in a permanent “community” P.A. system, as it was called by the bands that played there. That P.A. is now at the Sound Hole, serving the bands and fans that helped purchase it.

“We got the P.A. system from The Music Station,” said Robert Rowell. “The majority of the P.A. is that same community system.” Guitarist/vocalist/songwriter Chris King, or Patrick Best (Prowler), usually run sound. In addition to the weekend multi-band shows, the Sound Hole and King host open jams on Tuesday and Thursday evenings. The venue also offers a variety of bar food items priced perfectly for younger patrons without deep pockets. French Fries for $1, burgers around $5, Chicken Fingers for $3.50 and a few creative, upscale offerings as well.

Open every day except Sunday, the Sound Hole has palpable energy and can get raucous. When the landlord, who lives next door, was approached by the Rowells, apologetic for a particularly loud evening, he commented, “If you’re making noise, you’re making money.”

Source http://www.thesunnews.com/2011/12/01/2526086/music-notes.html

If you’re making noise, you’re making money

You’ve got to admire their tenacity. Whose tenacity? The long list of long-suffering bands, artists, and club owners attempting to create, recreate, and breathe some sort of life into a seemingly disinclined original music scene in Myrtle Beach. The latest club to tempt fate is the Sound Hole, a music venue/bar in downtown Myrtle Beach with a permanent P.A. system, a dedicated stage area, and a husband-and-wife team who work the bar, manage the business and love live, original rock ’n’ roll.

Owners Robert Rowell and his wife Shellie Rowell were both behind the bar during last week’s BBQ of Brutality, a five-band show that featured Nothing (Whiteville, N.C.), With Intent (Charleston), and Myrtle Beach acts Prowler, Circles In Autumn, and The Creepshow MoFo. “We have bands every Friday and Saturday,” said Robert Rowell. “We love anything rock ’n’ roll.”

The Sound Hole, which opened Oct. 29 at 1004 Chester Street, will be familiar to some locals who’ve visited in one of its past lives (the original Rainbow House, Two Dollar Bill’s, the Animal House, and others). The nearly 80-year-old house-turned bar/music venue oozes character, and dark rock ’n’ roll ambience. Outside the simple structure is white with blood-red trim – an ordinary looking home. Inside most of the walls are painted high-gloss black, fitting for the young crowd and bands (many in costume) at the BBQ of Brutality. With its metal motif retrofit, the bar felt like a freaky rock ’n’ roll haunted house, which I suspect was just what the Rowells were going for.

With a bit more than 30 days under its belt, the business is showing real potential, and if last week’s show was any indication, the Sound Hole has a shot at being a viable new home for young bands plying original material. “We’re slowly building,” said Shellie Rowell, a pretty woman whose face piercings, pink and black hair and tattoos helped her fit in with many of the patrons she was serving. If the anemic original music scene here in Myrtle Beach is terminal, as some have suggested, then the Rowells didn’t get the memo.

Plenty of adults mixed with the well-marked under-aged who roamed the multiple rooms (one with a pool table) and spacious open-air patio deck in back. “We’ve had a real good relationship with the police,” said Robert Rowell, who remembers things got a little dicey when the bar was The Animal House, a late-night venue in which he worked. “It [The Animal House] had a bit of a reputation,” he said. “So we went to the City of Myrtle Beach Police and said ‘We are not them. We are completely new.’ We invited them in, and have been open about everything. We’ve had a really good working relationship, and haven’t given them any reason to [worry].”

Friday’s music line-up at the Sound Hole was undetermined as of press time, but Saturday will feature Plus One, and The Izm, fresh off its battle of the bands win at Butter’s Pub, which no longer hosts live rock shows. Just as bands had found a new home in Socastee, after the closing of the Socastee Music Station, Butter’s, a sports bar/restaurant (and now former live music venue), has become the latest to pull rock ’n’ roll from its offerings. Butter’s canceled shows and removed its stage not long ago, without much comment. An employee stated last Monday, “One of the owners didn’t want [late-night music] anymore.” Another stated, “We’ll start up again with live music in the spring.” I guess we’ll see.

But the dream dies hard in Myrtle Beach.

Just before the Socastee Music Station pulled the plug on its live music, it hosted dozens of shows – some quite large – and even a fundraiser to put in a permanent “community” P.A. system, as it was called by the bands that played there. That P.A. is now at the Sound Hole, serving the bands and fans that helped purchase it.

“We got the P.A. system from The Music Station,” said Robert Rowell. “The majority of the P.A. is that same community system.” Guitarist/vocalist/songwriter Chris King, or Patrick Best (Prowler), usually run sound. In addition to the weekend multi-band shows, the Sound Hole and King host open jams on Tuesday and Thursday evenings. The venue also offers a variety of bar food items priced perfectly for younger patrons without deep pockets. French Fries for $1, burgers around $5, Chicken Fingers for $3.50 and a few creative, upscale offerings as well.

Open every day except Sunday, the Sound Hole has palpable energy and can get raucous. When the landlord, who lives next door, was approached by the Rowells, apologetic for a particularly loud evening, he commented, “If you’re making noise, you’re making money.”

Source http://www.thesunnews.com/2011/12/01/2526086/music-notes.html

Tuesday, October 4, 2011

Last best show: Steely Dan at the Wang


So whaddya you think of last night’s version of “Kid Charlemagne” at the Wang? Pretty damn good, right? More on that later.

Before jumping into a guitar-centric analysis a few non-six-string notes:

Steely Dan’s horn section is absurdly good. Transport the four-piece back in time 40 years and they could be sitting in with Miles. Make it 75 years and the guys could swing with Basie. My favorite bit was Michael Leonhart’s fiery Latin trumpet solo on “Your Gold Teeth.”

Donald Fagen’s voice is better than ever. OK, not better, it’s thinner and flatter, but he was almost too good, too alive for his deep, dense, dark lyrics in the ’70s. Like Tom Waits or Randy Newman, the older he gets the more he relaxes into his Statler-and-Waldorf sardonic persona.

Keith Carlock is a monster drummer – like Neil Peart with a wicked Gene Krupa fetish. Jim Beard’s piano opening to “My Old School” was freaky ragtime with a pinch free jazz (nearly as face-melting as any of last night’s guitar solos).

Now the guitar:

Walter Becker is a great player. He always got out of the way for those ’70s session men but he can wail. On “Black Friday” his chunky rock tone recalled Skunks best stuff. Then Jon Herington took over and I forgot Becker was even there (sorry dude).

Herington is insane, just insane. On “Hey Nineteen” he was note-to-note perfect and dead right with the tone. Then on “Show Biz Kids,” he went off the map. As the song swelled to a knot of fern-bar funk, Herington’s tricky licks zigged and zagged across the melody. This guy can clearly do anything.

For the solo in “Boston Rag,” he managed to squash together Jim Hall’s post-bop and Al Di Meola’s heavy ’70s fusion. Then, on “Bodhisattva,” just cause he can, he spiked the Hall-meets-Di Meola vibe with some Dick Dale surf and Django Reinhardt swing. Insane I tell you!

Then with “Kid Charlemagne” he– Oh, just forget it. Enough of what I think.

Guitar solos? Fagen’s voice? Horns? Drums? Whaddya think?

Source http://www.bostonherald.com/blogs/entertainment/guestlisted/?p=973&srvc=home&position=recent

Friday, July 22, 2011

Michigan Movie Notes: 'Oz: The Great and Powerful' starts filming in Pontiac

Filming has started on "Oz: The Great and Powerful" at Raleigh Michigan Studios in Pontiac, the Disney prequel boasting stars James Franco, Mila Kunis and Michelle Williams.

Heavy interest in the movie is making the Web all a-twitter about the slightest "Oz" details. This week, a photo with an "Oz" logo tweeted by cast member Abigail Spencer was spreading online like magic.

Spencer, best known as the schoolteacher who had an affair with Don Draper on "Mad Men," also posted a photo of herself at the Detroit Zoo looking cool in a hat that she later messaged was bought in Santa Fe while she was filming "Cowboys & Aliens," the sci-fi/Western hybrid with Daniel Craig and Harrison Ford that opens July 29.

On Monday, she tweeted that "5 different Detroitonians in 5 minutes" had complimented her on her pants, which reminded her that the world premiere of "Cowboys & Aliens" was five days away. It's screening Saturday in San Diego at the annual Comic-Con event.

Did we mention Spencer's latest movie is "Cowboys & Aliens"?
Wyatt Russell goes 'AWOL'

The latest young actor to join the heat-wave hot cast of "AWOL" is the scion of Hollywood royalty.

Wyatt Russell, son of Goldie Hawn and Kurt Russell, will appear in the Vietnam-era movie, which is shooting in the Ann Arbor area and has the University of Michigan of those protest-laden times as a backdrop.

The film already has landed a number of rising actors, including Liam Hemsworth, Austin Stowell, Aimee Teegarden and Teresa Palmer.

The screenplay is by U-M professor Jim Burnstein and Garrett Schiff.

Russell also has a role in, you guessed it, "Cowboys & Aliens." His dad, Kurt, was in west Michigan last year to film the football-themed drama "Touchback."
Local director a new indie star

Rola Nashef is one of the 25 New Faces of Independent Film, an honor bestowed by Filmmaker magazine.

The local director is in post-production on "Detroit Unleaded," which is about a young Lebanese-American man who runs a gas station.

"Growing up I never saw people like me and my own experience in the movies," Nashef tells Filmmaker. "And I kept meeting these amazing characters who continue to inspire me. Our experience as Arab Americans makes for great storytelling. We need to be on a screen somewhere."
Glover joins 'Freaky Deaky' cast

"Freaky Deaky" just got a little freakier, in a good way.

The king of quirkiness, Crispin Glover, is joining the cast of the adaptation of Elmore Leonard's novel, according to Variety.

The project is filming in and around Detroit.

The eccentric actor is replacing William H. Macy, who was previously attached to the project.

Glover was in the Motor City in 2010 to show two of his experimental art films at the Burton Theater. His decades-long career includes memorable roles in "Back to the Future," "Charlie's Angels" and, most recently, "Hot Tub Time Machine," in which he played a one-armed bellman. And, of course, he nearly kicked David Letterman in the head during a famous 1987 interview.

USA Today once said that his most magnetic quality was perhaps "his true, unabashed freakishness." Freaky, how this all worked out.

Source http://www.freep.com/article/20110722/ENT01/107220329/Michigan-Movie-Notes-Oz-Great-Powerful-starts-filming-Pontiac

Wednesday, July 6, 2011

Tigers' rally falls short in 4-3 loss to Giants

Brennan Boesch made solid contact - and hit the ball to the worst possible place.

Shortstop Brandon Crawford caught Boesch's soft line drive near second base and quickly stepped on the bag to double off Brandon Inge, letting the San Francisco Giants hold on for a 4-3 win over the Detroit Tigers on Friday night. Detroit scored twice in the ninth and had the bases loaded with one out when the Giants escaped on the unassisted double play.

"That's just one of those freaky ones," Tigers manager Jim Leyland said. "For us, it was hit in exactly the wrong spot. For them, it was exactly the right spot."

Pablo Sandoval hit a tiebreaking double as part of a three-run top of the ninth for the Giants. San Francisco was coming off back-to-back losses to the Cubs - both in Chicago's last at-bat. The Giants nearly fell again.

Brian Wilson (6-1) won, but only after blowing a save for the second straight day. Wilson allowed Magglio Ordonez's RBI single in the eighth that tied it at 1.

After the Giants took the lead, Wilson started the ninth but had to be pulled with one out, the bases loaded and a run already in. Wilson slugged a cooler in the dugout with a bat after leaving the game.

"Give yourself 30 seconds to completely lose it, then come back and be a part of the team," Wilson said.

Jeremy Affeldt came on, and Detroit pulled within one when second baseman Emmanuel Burriss muffed a slow grounder for an error. Boesch was up next, and his liner probably would have scored the tying and winning runs if it had been a few feet higher.

"Great effort on our guys' part," Leyland said. "We just came up a little short."

It was Affeldt's third save of the season.

The Tigers dropped a half-game behind first-place Cleveland in the AL Central.

Madison Bumgarner allowed a run and five hits over 7 1-3 outstanding innings for San Francisco. He struck out nine and walked one.

Bumgarner departed following a walk by Inge. Sergio Romo came on and got the second out of the inning, but Javier Lopez then took the mound and allowed a single to pinch-hitter Boesch.

Wilson was next out of the bullpen, and Ordonez greeted him with a single to right.

It didn't stay tied for long. Chris Stewart led off the ninth with a double, and Aaron Rowand followed with a single, reaching base as part of his broken bat went flying over the third-base dugout.

One out later, Sandoval hit a ground-rule double to left-center to make it 2-1. The Giants added two more runs when Jose Valverde (2-3) and Brayan Villarreal issued bases-loaded walks.

Rowand had three hits.

Detroit's Brad Penny allowed a run and seven hits in seven innings. He struck out two and walked two.

The Giants threatened early, putting runners at first and third with nobody out in the first. Penny got out of the jam thanks to a fantastic play by left fielder Casper Wells. Sandoval lifted a foul ball toward the seats, and Wells not only caught it amid reaching fans - but he also threw home to catch Rowand, who had tagged up at third.

"That was an extraordinary play," Leyland said.

Sandoval made the most of his next big opportunity. With Rowand on second and two outs in the fifth, he sliced an 0-2 pitch to the gap in left-center to put the Giants ahead.

Bumgarner has been excellent since being knocked out in the first inning of a June 21 start against Minnesota. In his two outings since then, he's allowed two runs in 14 1-3 innings, with 20 strikeouts and two walks.

Detroit's Lester Oliveros made his major league debut in the eighth, striking out two and allowing a hit and a walk in an inning. Oliveros was called up from the minors to replace Al Alburquerque, who went on the disabled list with inflammation in his right arm.

NOTES: Detroit 2B Carlos Guillen (left knee) is transferring from Class A Lakeland to Triple-A Toledo as part of his rehabilitation assignment. ... San Francisco plans to start LHP Barry Zito on three days' rest Saturday, with RHP Ryan Vogelsong taking the mound Sunday. Zito and Vogelsong both pitched in a doubleheader Tuesday. ... Victor Martinez has been with the Tigers barely a half-season, and he's already impressed Leyland. Martinez has made the transition to designated hitter look easy. He entered Friday's game hitting .329. "I can't say enough about him," Leyland said. "He's one of the best teammates I've ever managed or been around."

Source http://seattletimes.nwsource.com/html/sports/2015487409_apbbotigers.html

Tuesday, April 19, 2011

BlackBerry PlayBook Gets Panned by Reviewers

Research In Motion's iPad competitor, the BlackBerry PlayBook tablet, goes on sale April 19, but it's not ready for prime time. Reviewers who got their hands on the PlayBook early posted their thoughts on the tablet -- and it's not good news for RIM.

The 7-inch BlackBerry PlayBook packs some impressive specs for its size and slenderness: a 1GHz dual-core processor, 1GB of RAM, two high-resolution cameras (3MP front, 5MP back), micro HDMI out and it's pretty zippy.

But the software is what puts the PlayBook down: the new QNX-based OS on the tablet is only half-baked, the reviews show, with plenty of features missing, such as no integrated e-mail, calendar and address book (codependent on a BlackBerry smartphone), no video chatting app (despite a dedicated camera), and overall annoying software glitches.

First off, PCWorld's Melissa J. Perenson writes that the PlayBook "feels very much like a work in progress" because of its "limited app selection, software glitches, and choices in functionality or design." Perenson notes that "the PlayBook is the most impressive tablet I've seen to date" but points out "native apps like the PlayBook's browser have disappointing glitches, and you won't get much help from downloading third-party apps -- only 3,000 will be available at launch."

The New York Times' David Pogue asks whether "it make sense to buy a fledgling tablet with no built-in e-mail or calendar, no cellular connection, no videochat, Skype, no Notes app, no GPS app, no Pandora radio and no Angry Birds?" He mentions several times the buggy software and that "it's missing important features, like the ability to view e-mail file attachments or click a link in an e-mail."

The Wall Street Journal's Walt Mossberg believes that the PlayBook could appeal to those who find the iPad too large: "The hardware is sturdy and the back has a nice rubberized feel. While the PlayBook is 14% thicker than the iPad 2, it's about one-third lighter. [...] Still, unless you are constantly glued to a BlackBerry phone, or do all your e-mail, contacts and calendar tasks via a browser, I recommend waiting on the PlayBook until more independently usable versions with the promised additions are available."

Wired's Mike Isaac opines that the BlackBerry PlayBook tablet lacks all the right moves: "RIM's WebKit-based browser is about as stable as your bipolar uncle. No native e-mail, calendar or contacts apps. App ecosystem is lacking. You'll need to install a driver before you can connect it to your PC or Mac. Runs Flash, sorta." However, Isaac gives the PlayBook brownie points for "a brilliant display, great sound and an HDMI output" and the two on-board cameras.

TechChruch's MG Siegler also takes a stab at the tablet's limitations: "So why not wait until there's a little more polish to get it out there on the market? [...]But given that it's selling at the same price points as the iPad, I find it hard to imagine they'll be able to compete in the consumer space right now. Maybe if they can nail the Android app support that will change the scene a bit."

Gizmodo's review from Matt Buchanan points out even more missing features in the PlayBook: "No Android apps yet. You can't create custom app categories. There's no universal search to quickly find apps. You can't rearrange your open app cards. Half the time you try to touch a link in the browser, you don't know if you touched it correctly or not -- the feedback isn't fast enough." However, Buchanan liked the PlayBook "for being so small, it's got tons of muscle, like a freaky little dude on 'roids."

Engadget's Tim Stevens wraps up saying that the PlayBook has "hardware that looks and feels great but isn't being fully served by the software. [...]And, ultimately, we have a tablet that's trying really hard to please the enterprise set but, in doing so, seems to be alienating casual users who might just want a really great seven-inch tablet."

Finally, LaptopMag's Mark Spoonauer nails it: "It's not really a matter of too little, too late with the BlackBery PlayBook. If anything, RIM's first tablet feels as if it was rushed to market."

Source http://news.idg.no/cw/art.cfm?id=4B0BC7F4-1A64-67EA-E4E12FE0F2A4CC58

Tuesday, April 5, 2011

It's a golden age of gore

The undead appear to be multiplying.

A recent cruise through the all-knowing Internet yielded more zombie-related info and creative projects than one would care to view in one afternoon. Gore-ridden explorations of the the living dead abound, from zombie flicks, TV series and video games to cell phone apps (Zombie Booth is particularly freaky), board games and books ("Pride and Prejudice and Zombies" anyone?), some in living graphic-novel color.

Michael Jackson's "Thriller" video somehow is now even more ahead of its time.

And that's not counting all the zombie swag out there, like your standard action figures, T-shirts, calendars and, my favorite, zombie decoys (to distract an invading horde, obviously).

For some bizarre reason, we appear to be super fascinated with all things re-animated, but at the same time, naturally, we're more than a little freaked out by the prospect.

Just Google "zombie plan" - i.e., one's planned escape route and the necessary weaponry required should a zombie apocalypse go down - and many, many pages' worth of options pop up.

No thanks to George Romero, I'm hereby leery of any burial grounds within a few miles of my house (two), especially the one named "Resurrection Cemetery." In this neo-Atomic Age, on particularly dark nights, Max Brooks' "The Zombie Survival Guide" becomes more than just a funny little coffee-table book.

Even a lighter manifestation of zombie lore like Cracked.com's article "Five Reasons a Zombie Apocalypse Could Happen" doesn't seem entirely ready to write off the undead as mere figments of our apparently disturbed imaginations. It tries to laugh off the lunacy of a zombie invasion, but then it tells us about horrible things like toxoplasmosa - a parasite that turns "victims into mindless, zombie-like slaves." Not funny. Especially when it goes on to report that half the world is infected with the stuff (with attribution).

So, we recognize this horror - we've examined it in gruesome detail - and yet we go back in for more. If you ask me, it's because we're all making zombie plans. Struck by the nightmare of society - indeed, our species - quite ended by what's pretty much a plague, we can't help but wonder how we'd perform in a zombie onslaught. Are we the unlikely hero or are we lunch? Could we strike down a loved one who'd been turned?

And now the truly terrible world of the undead will unfold right here in our little region. Hollywood just had to beguile more people with its slew of semi-hysteria-inducing zombie stories, and now we're going to have a film crew here dotting downtown Mystic and Norwich with zombie hordes as they film "Remains" for something called Chiller TV.

Great. Just as we calm down from last fall's TV hit "Walking Dead," we get to revisit the notion of the fall of the human race, right here at home. (Anyone else still haunted by that scuttling little girl in "Walking Dead" minus her bottom half?)

Well, if we must we must. But before I go and do a weapons check in my basement, I'm going to bone up with a rigorous Zombie Movie-Thon and take notes. Just in case.

Source http://www.theday.com/article/20110405/ENT09/304059996/1044